By Camila Perez ’26 Author’s Note: This piece contains spoilers. But to be fair, this movie has been out for a couple of months… so if you have not watched it at this point, can you really be mad at me right now? My best friend Noe and I rush down Temple Street, our arms…
Category: Pop Culture
Submersed Beneath the Waves: An Exploration of SZA’s SOS
By: Aiden Wright ’26 “I just want what’s mine.” The lyric lurches with the weight of conviction and lands withresolute certainty, both a proclamation and a promise. In SOS, the namesake track of the album,SZA announces her resurgence, setting forth her intention to cement herself as a vocal talent ofour generation – and that she…
Sexual Violence is Not Art: A Critique of Andrew Dominik’s Blonde
By Amelia Winn ’25 Managing Editor “There’s something in it to offend everyone,” Andrew Dominik proudly claimed when asked about the critiques of his wildly incendiary film, Blonde. With a 42% on Rotten Tomatoes and armed with arthouse film aesthetics, Dominik has induced an outcry in response to its inaccuracies about the life of Norma…
Can Representation Save Us?
By Humyra Karim ’26 Staff Writer Like clockwork, every few media cycles, another classic story or character is remade as slightly more progressive. And as usual so-called “traditionalist” Twitter trolls emerge ready to spew their repetitive vitriol in the name of source authenticity. This month it was Scooby-Doo, last month it was The Little Mermaid,…
“Whitey on the Moon”: Exploring the Celestial Geography of Black Horse Riding in Nope
By Nasser Eid ’25 Staff Writer “It’s always night, otherwise we wouldn’t need light.” Thelonious Monk “If you are silent about your pain, they’ll kill you and say you enjoyed it.” Zora Neale Hurston I waited three weeks and a day to watch Jordan Peele’s Nope. It was the thriller of the summer, and I…