By Edward Nguyen ’25 Managing Editor With the recent resurgence of the Y2K craze, fashion houses like Blumarine and GCDS have incorporated early 2000s trends into their runway shows from New York to Paris Fashion Weeks; however, when discussing Y2K in fashion, one name in specific comes to mind: heaven by Marc Jacobs. From hosting…
Category: Criticism
Riot Grrrl: Revolution or Exclusion?
By Gianna Campillo ’25 Managing Editor Chasing the nostalgia of the ‘90s, teenage girls nowadays have replaced zines with digital mood boards. Their pinterest boards overflow with collages portraying female punk rock icons clipped to pink pages with colorful stickers and feminist adages. The inspiration? The feminist punk subcultural movement “Riot Grrrl.”. Looking beyond the…
A Marxist Reading of Mitski’s Working for the Knife
By Chidima Anekwe ’24 Editor-in-Chief A spectre is haunting Spotify… The woman, the myth, the legend, Mitsuki Miyawaki (more commonly known as Mitski) has recently blessed us all with her sixth studio album, Laurel Hell. The lead single, “Working for the Knife,” marks Mitski’s grand return from her two-year hiatus, a period in which, seemingly,…
Lessons from the Mother of Love
Why do Black people die early? Last year, the Marshall Project reported that Black Americans—at nearly every age—die at higher rates than their white counterparts. Lorraine Hansberry, 34. Martin Luther King Jr., 39. James Baldwin, 63. Google their names and so many of their pictures appear in black-and-white. Much of Blackness is prematurely historicized, but these…
The Black Monolith: A Critique of Beyonce’s Black is King
Recently, Beyoncé, a multi-platinum winning artist with billions of fans worldwide released a visual album titled Black is King. While the intentions were to bring pride to Blackness and Black people around the world, the film, which millions of people will now digest, is saturated with stereotypes about the African monolith that continues to bring…