By: Aiden Wright ’26 “I just want what’s mine.” The lyric lurches with the weight of conviction and lands withresolute certainty, both a proclamation and a promise. In SOS, the namesake track of the album,SZA announces her resurgence, setting forth her intention to cement herself as a vocal talent ofour generation – and that she…
By Amelia Winn ’25 Managing Editor “There’s something in it to offend everyone,” Andrew Dominik proudly claimed when asked about the critiques of his wildly incendiary film, Blonde. With a 42% on Rotten Tomatoes and armed with arthouse film aesthetics, Dominik has induced an outcry in response to its inaccuracies about the life of Norma…
By Edward Nguyen ’25 Managing Editor With the recent resurgence of the Y2K craze, fashion houses like Blumarine and GCDS have incorporated early 2000s trends into their runway shows from New York to Paris Fashion Weeks; however, when discussing Y2K in fashion, one name in specific comes to mind: heaven by Marc Jacobs. From hosting…
By Gianna Campillo ’25 Managing Editor Chasing the nostalgia of the ‘90s, teenage girls nowadays have replaced zines with digital mood boards. Their pinterest boards overflow with collages portraying female punk rock icons clipped to pink pages with colorful stickers and feminist adages. The inspiration? The feminist punk subcultural movement “Riot Grrrl.”. Looking beyond the…
By Chidima Anekwe ’24 Editor-in-Chief A spectre is haunting Spotify… The woman, the myth, the legend, Mitsuki Miyawaki (more commonly known as Mitski) has recently blessed us all with her sixth studio album, Laurel Hell. The lead single, “Working for the Knife,” marks Mitski’s grand return from her two-year hiatus, a period in which, seemingly,…